“Very good. That would increase our income nicely. Have you any intention of being a Kammer-junker?”

“I don’t know absolutely for certain; but in all probability it is so,” replied Hippolyte, looking round. “Nastasia would hardly go to her; and they can’t meet at Gania’s, with a man nearly dead in the house.”

“I don’t know.”
“Oh, but Lebedeff cannot have been in Moscow in 1812. He is much too young; it is all nonsense.”

“Rogojin? No, no, my good fellow. I should strongly recommend you, paternally,--or, if you prefer it, as a friend,--to forget all about Rogojin, and, in fact, to stick to the family into which you are about to enter.”

“I only see that Aglaya Ivanovna is laughing at me,” said the poor prince, sadly.
“Run away from home?” cried the prince.
He was not allowed to finish his sentence. Somebody pushed him back into his chair, and begged him to be calm. Nina Alexandrovna trembled, and cried quietly. Gania retired to the window in disgust. When day dawned, two passengers in one of the third-class carriages found themselves opposite each other. Both were young fellows, both were rather poorly dressed, both had remarkable faces, and both were evidently anxious to start a conversation. If they had but known why, at this particular moment, they were both remarkable persons, they would undoubtedly have wondered at the strange chance which had set them down opposite to one another in a third-class carriage of the Warsaw Railway Company.
“Why not?”
“Look here, once for all,” cried Aglaya, boiling over, “if I hear you talking about capital punishment, or the economical condition of Russia, or about Beauty redeeming the world, or anything of that sort, I’ll--well, of course I shall laugh and seem very pleased, but I warn you beforehand, don’t look me in the face again! I’m serious now, mind, this time I _am really_ serious.” She certainly did say this very seriously, so much so, that she looked quite different from what she usually was, and the prince could not help noticing the fact. She did not seem to be joking in the slightest degree.
“You are innocent--and in your innocence lies all your perfection--oh, remember that! What is my passion to you?--you are mine now; I shall be near you all my life--I shall not live long!”

Rogojin took the chair offered him, but he did not sit long; he soon stood up again, and did not reseat himself. Little by little he began to look around him and discern the other guests. Seeing Gania, he smiled venomously and muttered to himself, “Look at that!”

Lizabetha Prokofievna well understood that the old lady was angry at the failure of Evgenie Pavlovitch--her own recommendation. She returned home to Pavlofsk in a worse humour than when she left, and of course everybody in the house suffered. She pitched into everyone, because, she declared, they had ‘gone mad.’ Why were things always mismanaged in her house? Why had everybody been in such a frantic hurry in this matter? So far as she could see, nothing whatever had happened. Surely they had better wait and see what was to happen, instead of making mountains out of molehills.
“Now and then I was able to persuade her almost to see light around her again; but she would soon fall, once more, into her old tormenting delusions, and would go so far as to reproach me for placing myself on a pedestal above her (I never had an idea of such a thing!), and informed me, in reply to my proposal of marriage, that she ‘did not want condescending sympathy or help from anybody.’ You saw her last night. You don’t suppose she can be happy among such people as those--you cannot suppose that such society is fit for her? You have no idea how well-educated she is, and what an intellect she has! She astonished me sometimes.”
So spoke the good lady, almost angrily, as she took leave of Evgenie Pavlovitch.

“Well, anyone who does not interest himself in questions such as this is, in my opinion, a mere fashionable dummy.”

“It’s only for mother’s sake that I spare him,” said Gania, tragically.

The prince followed her.

“I--I,” the general continued to whisper, clinging more and more tightly to the boy’s shoulder. “I--wish--to tell you--all--Maria--Maria Petrovna--Su--Su--Su.......”

“Come along,” he whispered. “Oh, well, when I saw her she almost punched my head, as I say; in fact so nearly that one might almost say she did punch my head. She threw the letter in my face; she seemed to reflect first, as if she would have liked to keep it, but thought better of it and threw it in my face instead. ‘If anybody can have been such a fool as to trust a man like you to deliver the letter,’ says she, ‘take it and deliver it!’ Hey! she was grandly indignant. A fierce, fiery lady that, sir!” “I suppose that was it; I cannot explain it otherwise.”
The prince went out deep in thought, and walked up and down the pavement for some time. The windows of all the rooms occupied by Rogojin were closed, those of his mother’s apartments were open. It was a hot, bright day. The prince crossed the road in order to have a good look at the windows again; not only were Rogojin’s closed, but the white blinds were all down as well.
“_She_ is insane,” muttered the prince, suddenly recollecting all that had passed, with a spasm of pain at his heart.

“Come along, let’s go out for a walk!” cried Adelaida. “We’ll all go together, and the prince must absolutely go with us. You needn’t go away, you dear good fellow! _Isn’t_ he a dear, Aglaya? Isn’t he, mother? I must really give him a kiss for--for his explanation to Aglaya just now. Mother, dear, I may kiss him, mayn’t I? Aglaya, may I kiss _your_ prince?” cried the young rogue, and sure enough she skipped up to the prince and kissed his forehead.

“I have not got a ten-rouble note,” said the prince; “but here is a twenty-five. Change it and give me back the fifteen, or I shall be left without a farthing myself.”

“I know it for a fact,” replied Rogojin, with conviction.

“Better not read it now,” said the prince, putting his hand on the packet.
“You see,” he said, “I was given to understand that Ferdishenko was that sort of man,--that one can’t say everything before him. One has to take care not to say too much, you understand? I say this to prove that he really is, so to speak, more likely to have done this than anyone else, eh? You understand? The important thing is, not to make a mistake.”
“You saw me as a child!” exclaimed the prince, with surprise.
“If two months since I had been called upon to leave my room and the view of Meyer’s wall opposite, I verily believe I should have been sorry. But now I have no such feeling, and yet I am leaving this room and Meyer’s brick wall _for ever_. So that my conclusion, that it is not worth while indulging in grief, or any other emotion, for a fortnight, has proved stronger than my very nature, and has taken over the direction of my feelings. But is it so? Is it the case that my nature is conquered entirely? If I were to be put on the rack now, I should certainly cry out. I should not say that it is not worth while to yell and feel pain because I have but a fortnight to live.
A young fellow entered the ante-room at this moment, with a bundle of papers in his hand. The footman hastened to help him take off his overcoat. The new arrival glanced at the prince out of the corners of his eyes.
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!” Gania laughed sarcastically, but said nothing. The prince, seeing that he did not quite like the last remark, blushed, and was silent too. The latter, amazed at her conduct, began to express his displeasure; but he very soon became aware that he must change his voice, style, and everything else, with this young lady; the good old times were gone. An entirely new and different woman sat before him, between whom and the girl he had left in the country last July there seemed nothing in common.
“Oh, dear, no! Why, they don’t even know him! Anyone can come in, you know. Why do you look so amazed? I often meet him; I’ve seen him at least four times, here at Pavlofsk, within the last week.”

“What is it?” asked the actress.

“Not a couple of hours,” said Ptitsin, looking at his watch. “What’s the good of daylight now? One can read all night in the open air without it,” said someone.
It was true that she was lonely in her present life; Totski had judged her thoughts aright. She longed to rise, if not to love, at least to family life and new hopes and objects, but as to Gavrila Ardalionovitch, she could not as yet say much. She thought it must be the case that he loved her; she felt that she too might learn to love him, if she could be sure of the firmness of his attachment to herself; but he was very young, and it was a difficult question to decide. What she specially liked about him was that he worked, and supported his family by his toil.
“There are people who find satisfaction in their own touchy feelings, especially when they have just taken the deepest offence; at such moments they feel that they would rather be offended than not. These easily-ignited natures, if they are wise, are always full of remorse afterwards, when they reflect that they have been ten times as angry as they need have been.

“Then look out for him, I warn you! He won’t forgive you easily, for taking back the letter.”

This must be thought out; it was clear that there had been no hallucination at the station then, either; something had actually happened to him, on both occasions; there was no doubt of it. But again a loathing for all mental exertion overmastered him; he would not think it out now, he would put it off and think of something else. He remembered that during his epileptic fits, or rather immediately preceding them, he had always experienced a moment or two when his whole heart, and mind, and body seemed to wake up to vigour and light; when he became filled with joy and hope, and all his anxieties seemed to be swept away for ever; these moments were but presentiments, as it were, of the one final second (it was never more than a second) in which the fit came upon him. That second, of course, was inexpressible. When his attack was over, and the prince reflected on his symptoms, he used to say to himself: “These moments, short as they are, when I feel such extreme consciousness of myself, and consequently more of life than at other times, are due only to the disease--to the sudden rupture of normal conditions. Therefore they are not really a higher kind of life, but a lower.” This reasoning, however, seemed to end in a paradox, and lead to the further consideration:--“What matter though it be only disease, an abnormal tension of the brain, if when I recall and analyze the moment, it seems to have been one of harmony and beauty in the highest degree--an instant of deepest sensation, overflowing with unbounded joy and rapture, ecstatic devotion, and completest life?” Vague though this sounds, it was perfectly comprehensible to Muishkin, though he knew that it was but a feeble expression of his sensations.
“Otherwise,” she observed hysterically, “I shall die before evening.”
When recalling all this afterwards the prince could not for the life of him understand how to reconcile the beautiful, sincere, pure nature of the girl with the irony of this jest. That it was a jest there was no doubt whatever; he knew that well enough, and had good reason, too, for his conviction; for during her recitation of the ballad Aglaya had deliberately changed the letters A. N. B. into N. P. B. He was quite sure she had not done this by accident, and that his ears had not deceived him. At all events her performance--which was a joke, of course, if rather a crude one,--was premeditated. They had evidently talked (and laughed) over the ‘poor knight’ for more than a month.
“I, too, should have been unable to tear my eyes away,” said Aglaya.
“Oh, there is no reason, of course, and I suppose there is nothing in common between us, or very little; for if I am Prince Muishkin, and your wife happens to be a member of my house, that can hardly be called a ‘reason.’ I quite understand that. And yet that was my whole motive for coming. You see I have not been in Russia for four years, and knew very little about anything when I left. I had been very ill for a long time, and I feel now the need of a few good friends. In fact, I have a certain question upon which I much need advice, and do not know whom to go to for it. I thought of your family when I was passing through Berlin. ‘They are almost relations,’ I said to myself, ‘so I’ll begin with them; perhaps we may get on with each other, I with them and they with me, if they are kind people;’ and I have heard that you are very kind people!”
“Fortune--money--do you mean?” asked the prince in some surprise.
“Come, come, what does all this mean?” cried Colia beside himself at last. “What is it? What has happened to you? Why don’t you wish to come back home? Why have you gone out of your mind, like this?”

“Are you tempting me to box your ears for you, or what?”

“The pleasure is, of course, mutual; but life is not all pleasure, as you are aware. There is such a thing as business, and I really do not see what possible reason there can be, or what we have in common to--”
“Yes, it’s off our hands--off _yours_, I should say.”
III.
Aglaya suddenly whispered angrily to herself the word-- “What a power!” cried Adelaida suddenly, as she earnestly examined the portrait over her sister’s shoulder.