“I hear you have called twice; I suppose you are still worried about yesterday’s affair.”

“He entered, and shut the door behind him. Then he silently gazed at me and went quickly to the corner of the room where the lamp was burning and sat down underneath it.

“Look here, Lef Nicolaievitch, you go straight on to the house; I shall walk on the other side. See that we keep together.”
The general dropped his eyes, and elevated his brows; shrugged his shoulders, tightened his lips, spread his hands, and remained silent. At last he blurted out: Aglaya rushed quickly up to him, and was just in time to receive him in her arms, and to hear with dread and horror that awful, wild cry as he fell writhing to the ground.
Poor General Epanchin “put his foot in it” by answering the above questions in his own way. He said there was no cryptic message at all. As for the hedgehog, it was just a hedgehog, which meant nothing--unless, indeed, it was a pledge of friendship,--the sign of forgetting of offences and so on. At all events, it was a joke, and, of course, a most pardonable and innocent one.
“Do you really forgive me?” he said at last. “And--and Lizabetha Prokofievna too?” The laugh increased, tears came into the prince’s eyes, he could not believe in all this kindness--he was enchanted.

“The question is connected with the following anecdote of past times; for I am obliged to relate a story. In our times, and in our country, which I hope you love as much as I do, for as far as I am concerned, I am ready to shed the last drop of my blood...

“Are you tempting me to box your ears for you, or what?”
“So that is true, is it?” cried the prince, greatly agitated. “I had heard a report of it, but would not believe it.”
“But he interested me too much, and all that day I was under the influence of strange thoughts connected with him, and I determined to return his visit the next day.
“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.

He gulped down some water out of a glass standing near, bent over the table, in order to hide his face from the audience, and recommenced.

Gania recollected himself in time to rush after her in order to show her out, but she had gone. He followed her to the stairs.

“A lodger here,” continued the other, staring as before.
“We have evidence. In the first place, his mysterious disappearance at seven o’clock, or even earlier.”
“As to life in a prison, of course there may be two opinions,” said the prince. “I once heard the story of a man who lived twelve years in a prison--I heard it from the man himself. He was one of the persons under treatment with my professor; he had fits, and attacks of melancholy, then he would weep, and once he tried to commit suicide. _His_ life in prison was sad enough; his only acquaintances were spiders and a tree that grew outside his grating--but I think I had better tell you of another man I met last year. There was a very strange feature in this case, strange because of its extremely rare occurrence. This man had once been brought to the scaffold in company with several others, and had had the sentence of death by shooting passed upon him for some political crime. Twenty minutes later he had been reprieved and some other punishment substituted; but the interval between the two sentences, twenty minutes, or at least a quarter of an hour, had been passed in the certainty that within a few minutes he must die. I was very anxious to hear him speak of his impressions during that dreadful time, and I several times inquired of him as to what he thought and felt. He remembered everything with the most accurate and extraordinary distinctness, and declared that he would never forget a single iota of the experience.
The prince was instantly covered with confusion; for it appeared to be plain that everyone expected something of him--that everyone looked at him as though anxious to congratulate him, and greeted him with hints, and smiles, and knowing looks.

“Are you not ashamed? Are you not ashamed? You barbarian! You tyrant! You have robbed me of all I possessed--you have sucked my bones to the marrow. How long shall I be your victim? Shameless, dishonourable man!”

“No, no, excuse me, most revered prince,” Lebedeff interrupted, excitedly. “Since you must have observed yourself that this is no joke, and since at least half your guests must also have concluded that after all that has been said this youth _must_ blow his brains out for honour’s sake--I--as master of this house, and before these witnesses, now call upon you to take steps.”
“Oh, Antip!” cried he in a miserable voice, “I did say to you the other day--the day before yesterday--that perhaps you were not really Pavlicheff’s son!”
“I will not accept ten thousand roubles,” said Burdovsky.
“Brought whom?” cried Muishkin.

“‘I believe,’ indeed! Did that mischievous urchin give it to her?”

“What music?”
After this performance, he smiled sweetly and left the room on tiptoe. “Why, you wished to have a talk with me when the others left?” he said.
“Oh, undoubtedly, this person wished somehow, and for some reason, to do Evgenie Pavlovitch a bad turn, by attributing to him--before witnesses--qualities which he neither has nor can have,” replied Prince S. drily enough.
“Very.”
She was very like her mother: she even dressed like her, which proved that she had no taste for smart clothes. The expression of her grey eyes was merry and gentle, when it was not, as lately, too full of thought and anxiety. The same decision and firmness was to be observed in her face as in her mother’s, but her strength seemed to be more vigorous than that of Nina Alexandrovna. She was subject to outbursts of temper, of which even her brother was a little afraid.
“Ah, yes--you were going away just now, and I thought to myself: ‘I shall never see these people again--never again! This is the last time I shall see the trees, too. I shall see nothing after this but the red brick wall of Meyer’s house opposite my window. Tell them about it--try to tell them,’ I thought. ‘Here is a beautiful young girl--you are a dead man; make them understand that. Tell them that a dead man may say anything--and Mrs. Grundy will not be angry--ha-ha! You are not laughing?” He looked anxiously around. “But you know I get so many queer ideas, lying there in bed. I have grown convinced that nature is full of mockery--you called me an atheist just now, but you know this nature... why are you laughing again? You are very cruel!” he added suddenly, regarding them all with mournful reproach. “I have not corrupted Colia,” he concluded in a different and very serious tone, as if remembering something again.
“Laissez-le dire! He is trembling all over,” said the old man, in a warning whisper.
“He is always silent, but I know well that he loves me so much that he must hate me. My wedding and yours are to be on the same day; so I have arranged with him. I have no secrets from him. I would kill him from very fright, but he will kill me first. He has just burst out laughing, and says that I am raving. He knows I am writing to you.”
So saying, Aglaya burst into bitter tears, and, hiding her face in her handkerchief, sank back into a chair.
“‘Dead Souls,’ yes, of course, dead. When I die, Colia, you must engrave on my tomb:
“Father is a drunkard and a thief; I am a beggar, and the husband of my sister is a usurer,” continued Gania, bitterly. “There was a pretty list of advantages with which to enchant the heart of Aglaya.”
Nastasia Philipovna was waiting for them in the first room they went into. She was dressed very simply, in black.
“Well, well! Enough! You’ve pitied me, and that’s all that good manners exact. I forgot, how are you?”
“Let’s play at some game!” suggested the actress.

“He has astonished me,” said Ivan Fedorovitch. “I nearly fell down with surprise. I could hardly believe my eyes when I met him in Petersburg just now. Why this haste? That’s what I want to know. He has always said himself that there is no need to break windows.”

“I was so sorry to have forgotten to ask you to come, when I saw you,” she said, “and I am delighted to be able to thank you personally now, and to express my pleasure at your resolution.”

“_C’est très-curieux et c’est très-sérieux_,” he whispered across the table to Ivan Petrovitch, rather loudly. Probably the prince heard him.

“I want to go and look after my country estates. You advised me to do that yourself,” was the reply. “And then I wish to go abroad.”
He turned his head towards her and glanced at her black and (for some reason) flashing eyes, tried to smile, and then, apparently forgetting her in an instant, turned to the right once more, and continued to watch the startling apparition before him.
This new woman gave him further to understand that though it was absolutely the same to her whom he married, yet she had decided to prevent this marriage--for no particular reason, but that she _chose_ to do so, and because she wished to amuse herself at his expense for that it was “quite her turn to laugh a little now!”

Mrs. Epanchin examined the portrait of Nastasia Philipovna for some little while, holding it critically at arm’s length.

“No, prince, she will not. Aglaya loved like a woman, like a human being, not like an abstract spirit. Do you know what, my poor prince? The most probable explanation of the matter is that you never loved either the one or the other in reality.”

“Never come near my house again!” cried Mrs. Epanchin, pale with rage. “Don’t let me see as much as a _shadow_ of you about the place! Do you hear?”
“You must have forgotten Russia, hadn’t you?”
“Oh no--not a bit! It was foolish of me to say I was afraid! Don’t repeat it please, Lebedeff, don’t tell anyone I said that!”
The prince hastened to apologize, very properly, for yesterday’s mishap with the vase, and for the scene generally.

“A Kammer-junker? I had not thought of it, but--”

But the prince’s mental perturbation increased every moment. He wandered about the park, looking absently around him, and paused in astonishment when he suddenly found himself in the empty space with the rows of chairs round it, near the Vauxhall. The look of the place struck him as dreadful now: so he turned round and went by the path which he had followed with the Epanchins on the way to the band, until he reached the green bench which Aglaya had pointed out for their rendezvous. He sat down on it and suddenly burst into a loud fit of laughter, immediately followed by a feeling of irritation. His disturbance of mind continued; he felt that he must go away somewhere, anywhere.

“Oh, not in the least,” said the prince. “On the contrary, I have been so much interested, I’m really very much obliged to you.”
“I understand, gentlemen,” he began, trembling as before, and stumbling over every word, “that I have deserved your resentment, and--and am sorry that I should have troubled you with this raving nonsense” (pointing to his article), “or rather, I am sorry that I have not troubled you enough.” He smiled feebly. “Have I troubled you, Evgenie Pavlovitch?” He suddenly turned on Evgenie with this question. “Tell me now, have I troubled you or not?”
The letter had evidently been written in a hurry:
“It is perhaps true, gentlemen,” said the prince, quietly. He had been listening in silence up to that moment without taking part in the conversation, but laughing heartily with the others from time to time. Evidently he was delighted to see that everybody was amused, that everybody was talking at once, and even that everybody was drinking. It seemed as if he were not intending to speak at all, when suddenly he intervened in such a serious voice that everyone looked at him with interest.
“They will think that I’m still ill,” continued Rogojin to the prince, “but I sloped off quietly, seedy as I was, took the train and came away. Aha, brother Senka, you’ll have to open your gates and let me in, my boy! I know he told tales about me to my father--I know that well enough but I certainly did rile my father about Nastasia Philipovna that’s very sure, and that was my own doing.”
“But if they were to, would you be dreadfully frightened?”

“Come, come, what does all this mean?” cried Colia beside himself at last. “What is it? What has happened to you? Why don’t you wish to come back home? Why have you gone out of your mind, like this?”

“No, they are not Nihilists,” explained Lebedeff, who seemed much excited. “This is another lot--a special group. According to my nephew they are more advanced even than the Nihilists. You are quite wrong, excellency, if you think that your presence will intimidate them; nothing intimidates them. Educated men, learned men even, are to be found among Nihilists; these go further, in that they are men of action. The movement is, properly speaking, a derivative from Nihilism--though they are only known indirectly, and by hearsay, for they never advertise their doings in the papers. They go straight to the point. For them, it is not a question of showing that Pushkin is stupid, or that Russia must be torn in pieces. No; but if they have a great desire for anything, they believe they have a right to get it even at the cost of the lives, say, of eight persons. They are checked by no obstacles. In fact, prince, I should not advise you...”
“He is a lodger of ours,” explained the latter.
The boxer was dying to get in a few words; owing, no doubt, to the presence of the ladies, he was becoming quite jovial.

“And you! You are nothing more than a fool, if you’ll excuse me! Well! well! you know that yourself, I expect,” said the lady indignantly.

“What, after yesterday? Wasn’t I honest with you?” First, with a sad smile, and then with a twinkle of merriment in her eyes, she admitted that such a storm as that of five years ago was now quite out of the question. She said that she had long since changed her views of things, and recognized that facts must be taken into consideration in spite of the feelings of the heart. What was done was done and ended, and she could not understand why Totski should still feel alarmed.
The boxer was dying to get in a few words; owing, no doubt, to the presence of the ladies, he was becoming quite jovial.
“And she is not guilty--oh God!--Every moment she bemoans and bewails herself, and cries out that she does not admit any guilt, that she is the victim of circumstances--the victim of a wicked libertine.
An hour later, towards four o’clock, the prince went into the park. He had endeavoured to fall asleep, but could not, owing to the painful beating of his heart. Only the prince stopped behind for a moment, as though in indecision; and Evgenie Pavlovitch lingered too, for he had not collected his scattered wits. But the Epanchins had not had time to get more than twenty paces away when a scandalous episode occurred. The young officer, Evgenie Pavlovitch’s friend who had been conversing with Aglaya, said aloud in a great state of indignation:
“P.P.S.--It is the same green bench that I showed you before. There! aren’t you ashamed of yourself? I felt that it was necessary to repeat even that information.”
But Gania had borne too much that day, and especially this evening, and he was not prepared for this last, quite unexpected trial.

“How do you make out that the Roman Catholic religion is _unchristian?_ What is it, then?” asked Ivan Petrovitch, turning to the prince.

At this moment there was a terrific bang at the front door, almost enough to break it down. Some most unusual visitor must have arrived. Colia ran to open.

The general, who had been talking to his chief up to this moment, had observed the prince’s solitude and silence, and was anxious to draw him into the conversation, and so introduce him again to the notice of some of the important personages.

“Excellency, how could I, how could I prevent it?” The prince observed Rogojin with great curiosity; he seemed paler than ever at this moment.
“It is accursed, certainly accursed!” replied the clerk, vehemently.
“No; a bundle--your brother has just gone to the hall for it.”
The crash, the cry, the sight of the fragments of valuable china covering the carpet, the alarm of the company--what all this meant to the poor prince it would be difficult to convey to the mind of the reader, or for him to imagine.
“A--a moral one?” asked the prince, involuntarily.
“One word from her,” he said, “one word from her, and I may yet be free.”

He meant to calm his hearers, and did not perceive that his words had only increased their irritation.

“Brought whom?” cried Muishkin.

There was laughter in the group around her, and Lebedeff stood before her gesticulating wildly.
“Why, he knows everything--Lebedeff knows everything! I was a month or two with Lihachof after his father died, your excellency, and while he was knocking about--he’s in the debtor’s prison now--I was with him, and he couldn’t do a thing without Lebedeff; and I got to know Nastasia Philipovna and several people at that time.”
“Nowhere, as yet.”

General agitation prevailed. Nina Alexandrovna gave a little cry of anxiety; Ptitsin took a step forward in alarm; Colia and Ferdishenko stood stock still at the door in amazement;--only Varia remained coolly watching the scene from under her eyelashes. She did not sit down, but stood by her mother with folded hands. However, Gania recollected himself almost immediately. He let go of the prince and burst out laughing.

“Yes, yes, yes!” said the prince, once more, nodding his head, and blushing slightly. “Yes, it was so, or nearly so--I know it. And besides, you see, I had not slept the night before, in the train, or the night before that, either, and I was very tired.”
Lizabetha Prokofievna saw that she returned in such a state of agitation that it was doubtful whether she had even heard their calls. But only a couple of minutes later, when they had reached the park, Aglaya suddenly remarked, in her usual calm, indifferent voice:
“Perhaps he really doesn’t understand me! They do say that you are a--you know what! She loves another--there, you can understand that much! Just as I love her, exactly so she loves another man. And that other man is--do you know who? It’s you. There--you didn’t know that, eh?”
“Now, Gania,” cried Varia, frightened, “we can’t let him go out! We can’t afford to have a breath of scandal about the town at this moment. Run after him and beg his pardon--quick.”
“Really?” asked the prince, gleefully, and he laughed in delight.
“When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion.
“Indirectly, quite indirectly! I am speaking the truth--I am indeed! I merely told a certain person that I had people in my house, and that such and such personages might be found among them.”