The woman lowered her eyes.

“Yes; I feel quite ill. I have been obliged to put on this shawl--I feel so cold,” replied Nastasia. She certainly had grown very pale, and every now and then she tried to suppress a trembling in her limbs.

Hearing these words from her husband, Lizabetha Prokofievna was driven beside herself.

The prince was away for six months, and even those who were most interested in his destiny were able to pick up very little news about him all that while. True, certain rumours did reach his friends, but these were both strange and rare, and each one contradicted the last.

“This page of the album, framed in gold, hung on the wall of my sister’s drawing-room all her life, in the most conspicuous place, till the day of her death; where it is now, I really don’t know. Heavens! it’s two o’clock! _How_ I have kept you, prince! It is really most unpardonable of me.”

The girls generally rose at about nine in the morning in the country; Aglaya, of late, had been in the habit of getting up rather earlier and having a walk in the garden, but not at seven o’clock; about eight or a little later was her usual time.

And so they parted.

During the next fortnight--that is, through the early part of July--the history of our hero was circulated in the form of strange, diverting, most unlikely-sounding stories, which passed from mouth to mouth, through the streets and villas adjoining those inhabited by Lebedeff, Ptitsin, Nastasia Philipovna and the Epanchins; in fact, pretty well through the whole town and its environs. All society--both the inhabitants of the place and those who came down of an evening for the music--had got hold of one and the same story, in a thousand varieties of detail--as to how a certain young prince had raised a terrible scandal in a most respectable household, had thrown over a daughter of the family, to whom he was engaged, and had been captured by a woman of shady reputation whom he was determined to marry at once--breaking off all old ties for the satisfaction of his insane idea; and, in spite of the public indignation roused by his action, the marriage was to take place in Pavlofsk openly and publicly, and the prince had announced his intention of going through with it with head erect and looking the whole world in the face. The story was so artfully adorned with scandalous details, and persons of so great eminence and importance were apparently mixed up in it, while, at the same time, the evidence was so circumstantial, that it was no wonder the matter gave food for plenty of curiosity and gossip.

“How ‘means nothing’? You are talking nonsense, my friend. You are marrying the woman you love in order to secure her happiness, and Aglaya sees and knows it. How can you say that it’s ‘not the point’?”

“I love that boy for his perception,” said Lebedeff, looking after him. “My dear prince,” he continued, “I have had a terrible misfortune, either last night or early this morning. I cannot tell the exact time.”

“She has promised to tell me tonight at her own house whether she consents or not,” replied Gania.

“I did not come to marry at all,” replied the prince.

“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”

But Lizabetha Prokofievna felt somewhat consoled when she could say that one of her girls, Adelaida, was settled at last. “It will be one off our hands!” she declared aloud, though in private she expressed herself with greater tenderness. The engagement was both happy and suitable, and was therefore approved in society. Prince S. was a distinguished man, he had money, and his future wife was devoted to him; what more could be desired? Lizabetha Prokofievna had felt less anxious about this daughter, however, although she considered her artistic tastes suspicious. But to make up for them she was, as her mother expressed it, “merry,” and had plenty of “common-sense.” It was Aglaya’s future which disturbed her most. With regard to her eldest daughter, Alexandra, the mother never quite knew whether there was cause for anxiety or not. Sometimes she felt as if there was nothing to be expected from her. She was twenty-five now, and must be fated to be an old maid, and “with such beauty, too!” The mother spent whole nights in weeping and lamenting, while all the time the cause of her grief slumbered peacefully. “What is the matter with her? Is she a Nihilist, or simply a fool?”

“Suppose we all go away?” said Ferdishenko suddenly.

“The article in the newspaper put it at fifty!” cried Colia.

Left alone, he lay down on the sofa, and began to think.

Prince S. looked as black as night, and was silent and moody. Mrs. Epanchin did not say a word to him all the way home, and he did not seem to observe the fact. Adelaida tried to pump him a little by asking, “who was the uncle they were talking about, and what was it that had happened in Petersburg?” But he had merely muttered something disconnected about “making inquiries,” and that “of course it was all nonsense.” “Oh, of course,” replied Adelaida, and asked no more questions. Aglaya, too, was very quiet; and the only remark she made on the way home was that they were “walking much too fast to be pleasant.”