“What is it?” asked the actress. While he feasted his eyes upon Aglaya, as she talked merrily with Evgenie and Prince N., suddenly the old anglomaniac, who was talking to the dignitary in another corner of the room, apparently telling him a story about something or other--suddenly this gentleman pronounced the name of “Nicolai Andreevitch Pavlicheff” aloud. The prince quickly turned towards him, and listened.

Everyone exchanged startled glances. Gania rushed out towards the dining-room, but a number of men had already made their way in, and met him.

“It seems to me that all this has nothing to do with your affairs,” remarked the prince.
“Wasn’t it you,” he said, suddenly turning to the old gentleman, “who saved the student Porkunoff and a clerk called Shoabrin from being sent to Siberia, two or three months since?”

“Yes, my boy. I wish to present him: General Ivolgin and Prince Muishkin! But what’s the matter?... what?... How is Marfa Borisovna?”

“Oho! ho, ho, ho!” cried Ferdishenko. “_Now_ then, prince! My word, what things I would say if I had such a chance as that! My goodness, prince--go on!”
“Give it to me,” said Parfen.

“Well, you’d better stay here, all of you, for a little, and I’ll go down to him alone to begin with. I’ll just go in and then you can follow me almost at once. That’s the best way.”

“Very well.”

When Colia had finished reading, he handed the paper to the prince, and retired silently to a corner of the room, hiding his face in his hands. He was overcome by a feeling of inexpressible shame; his boyish sensitiveness was wounded beyond endurance. It seemed to him that something extraordinary, some sudden catastrophe had occurred, and that he was almost the cause of it, because he had read the article aloud.
“Yes, but the prince told us about the donkey very cleverly, all the same,” said Alexandra. “I have always been most interested to hear how people go mad and get well again, and that sort of thing. Especially when it happens suddenly.”

“Let’s play at some game!” suggested the actress.

“No, no, no, no, no! Nothing of the sort, I assure you!” said Lebedeff, hastily. “Oh dear no, not for the world! Totski’s the only man with any chance there. Oh, no! He takes her to his box at the opera at the French theatre of an evening, and the officers and people all look at her and say, ‘By Jove, there’s the famous Nastasia Philipovna!’ but no one ever gets any further than that, for there is nothing more to say.”
“But this is intolerable!” cried the visitors, some of them starting to their feet.
“There’s nothing there except this,” said Colia, returning at this moment. “Where did you put it?”

Elizabetha Prokofievna sometimes informed the girls that they were a little too candid in this matter, but in spite of their outward deference to their mother these three young women, in solemn conclave, had long agreed to modify the unquestioning obedience which they had been in the habit of according to her; and Mrs. General Epanchin had judged it better to say nothing about it, though, of course, she was well aware of the fact.

But the prince was silent and serious. All awaited his reply.
“Well, have you finished your silly joke?” she added, “and am I to be told what this ‘poor knight’ means, or is it a solemn secret which cannot be approached lightly?”
“What a dear little thing she is,” thought the prince, and immediately forgot all about her.
“Oh, yes--a wonderful fellow; but I was present myself. I gave him my blessing.”

“Why, he wears an ‘order,’ and it looks so well!”

“May I ask you to be so good as to leave this room?”
“Better read on without any more beating about the bush,” said Gania.
Rogojin roared with laughter. He laughed as though he were in a sort of fit. It was strange to see him laughing so after the sombre mood he had been in just before.
“Who, in the name of what Law, would think of disputing my full personal right over the fortnight of life left to me? What jurisdiction can be brought to bear upon the case? Who would wish me, not only to be sentenced, but to endure the sentence to the end? Surely there exists no man who would wish such a thing--why should anyone desire it? For the sake of morality? Well, I can understand that if I were to make an attempt upon my own life while in the enjoyment of full health and vigour--my life which might have been ‘useful,’ etc., etc.--morality might reproach me, according to the old routine, for disposing of my life without permission--or whatever its tenet may be. But now, _now_, when my sentence is out and my days numbered! How can morality have need of my last breaths, and why should I die listening to the consolations offered by the prince, who, without doubt, would not omit to demonstrate that death is actually a benefactor to me? (Christians like him always end up with that--it is their pet theory.) And what do they want with their ridiculous ‘Pavlofsk trees’? To sweeten my last hours? Cannot they understand that the more I forget myself, the more I let myself become attached to these last illusions of life and love, by means of which they try to hide from me Meyer’s wall, and all that is so plainly written on it--the more unhappy they make me? What is the use of all your nature to me--all your parks and trees, your sunsets and sunrises, your blue skies and your self-satisfied faces--when all this wealth of beauty and happiness begins with the fact that it accounts me--only me--one too many! What is the good of all this beauty and glory to me, when every second, every moment, I cannot but be aware that this little fly which buzzes around my head in the sun’s rays--even this little fly is a sharer and participator in all the glory of the universe, and knows its place and is happy in it;--while I--only I, am an outcast, and have been blind to the fact hitherto, thanks to my simplicity! Oh! I know well how the prince and others would like me, instead of indulging in all these wicked words of my own, to sing, to the glory and triumph of morality, that well-known verse of Gilbert’s: “Suddenly the monster reappeared; it crawled slowly across the room and made for the door, as though with some fixed intention, and with a slow movement that was more horrible than ever.

Gania listened attentively, but to his sister’s astonishment he was by no means so impressed by this news (which should, she thought, have been so important to him) as she had expected.

“Gavrila Ardalionovitch begged me to give you this,” he said, handing her the note.

“Oh, don’t you begin bantering him,” said mamma. “He is probably a good deal cleverer than all three of you girls put together. We shall see. Only you haven’t told us anything about Aglaya yet, prince; and Aglaya and I are both waiting to hear.”

“Capital! How beautifully you have written it! Thanks so much. _Au revoir_, prince. Wait a minute,” she added, “I want to give you something for a keepsake. Come with me this way, will you?”

He had served, at first, in one of the civil departments, had then attended to matters connected with the local government of provincial towns, and had of late been a corresponding member of several important scientific societies. He was a man of excellent family and solid means, about thirty-five years of age.

“Loves him? She is head over ears in love, that’s what she is,” put in Alexandra. IX.
But at this moment he saw, seated before him, Nastasia Philipovna. He had not dreamed of meeting her here, evidently, for her appearance produced a marvellous effect upon him. He grew pale, and his lips became actually blue.